It’s always hard to add something different to such well-known tales but the cast and production crew certainly have managed it this year. The costumes are breathtaking, as are the hairstyles which almost give the cast a cartoon feel in look and vibrancy.
— Ipswich 24
All the elements of a traditional panto are there, and director Ryan McBryde has no fear employing them, it’s what we want and get in slosh spades! The creative team fill the stage with colour and joy,
— British Theatre Guide
The real stand out is the amazing set and costume design by Jasmine Swan. The icy visuals are stunning from the get go and the world of Costa del Colch is made so vivid by the beautiful dressing and backdrops, as well as being able to take us to more specific locations with ease and depth. In the programme, Swan says she wanted to “go a bit wild” with the costumes and boy, has she! Every character is wearing a unique foam wig with outrageous dress silhouettes and bold colour palettes. It’s a true delight for the eyes.
— West End Best Friend
The use of colour throughout the whole show, and is a visual delight. The costumes of the characters stand out prominently, designed with distinctiveness in mind.
— The VI Critic

Sleeping Beauty (Mercury Theatre 2023)

UK Pantomime Awards Nomination for Best Set Design

Photographer: Pamela Raith

Director: Ryan McBryde

Writer: Guy Unsworth (with additional material by Antony Stuart-Hicks)

Set & Costume Design: Jasmine Swan

Scenic Backdrop Illustrator: Anya Allin

Lighting Design: Matt Ladkin

Sound Design: Nico Menghini

Musical Director: Paul Herbert

Choreographer: Rosie Mather